Culture » Overview

exploring the transformative power of the arts – building bridges across cultures – supporting young cultural innovators

The Salzburg Global Seminar’s Culture and the Arts Program focuses on the transformative power of the arts, facilitates cultural exchange at multiple levels, and provides capacity-building opportunities through the annual Young Cultural Innovators Forum. Through multi-year projects and strategic convenings, the Culture and Arts Program seeks to secure a more prominent role for the arts on policy agendas and to support the continuously evolving needs of the creative sector – as a major driver of sustainable economic development and social improvement – through the multi-year Salzburg Global Forum for Young Cultural Innovators.

 

Sessions in 2017:

The Art of Resilience: Creativity, Courage and Renewal 
February 7 to 12, 2017 

Salzburg Global Young Cultural Innovators Forum: Regional Fellows Event
April 27 to 29, 2017

Salzburg Global Forum for Young Cultural Innovators IV
October 14 to 19, 2017

For past sessions, click here


The Role of Arts Organizations in Society and their Place in Communities
The Role of Arts Organizations in Society and their Place in Communities
Salzburg Global Seminar Staff 
The final panel presentation of of the Salzburg Global Forum for Young Cultural Leaders focussed on the topic of 'The Role of Arts Organizations in Society and their Place in Communities'. Sharing their experiences with their younger Fellows were co-chair Mulenga Kapwepwe, chair of the National Arts Council in Zambia, Tisa Ho, executive director of the Hong Kong Arts Festival and Eduardo Vilaro, artisitc director at Ballet Hispanico in the USA. Speaking to seminar partner, National Arts Strategies' Dallas Shelby, Ho, Vilaro and Kapwepwe gave their opinions on the key questions with our Young Cultural Leaders, as ever, responding. What is the place of cultural institutions within their communities? Kar Kuan Ng, Executive Director of the Hong Kong Arts Festival suggests that to be truly relevant an organization must be "in, of, for and about" its community. What is the role of arts organizations in society? Eduardo Vilaro, Artistic Director of Ballet Hispanico stresses the importance of art as a connector and being true to your mission. What is the role of an arts and culture leader in today's society? Mulenga Kapwepwe, Chairperson of the National Arts Council of Zambia and co-chair of the Salzburg Global Forum for Young Cultural Leaders, suggests that arts leaders are best equipped to shape the future. How can cultural organizations work with their communities rather than for their communities? Kapwepwe discusses how widening your definitions can broaden your understanding of community. The Role of Arts Organizations in Society: Discussion Points Fellows of the Salzburg Global Forum for Young Cultural Leaders talk about the day's discussion around the role of arts organizations in society and their place in the community.  
You can see more videos on the National Arts Strategies channel: http://www.youtube.com/user/ArtsStrategies/, The YCI Webpage: http://yci.salzburgglobal.org and you can follow all the discussions in real time on our Twitter hashtag #SGSycl and Twitter list: https://twitter.com/salzburgglobal/sgs-498
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'Glocal' - What is Global and What is Local in Today's World?
'Glocal' - What is Global and What is Local in Today's World?
Salzburg Global Seminar Staff 
The second full of the Salzburg Global Forum for Young Cultural Leaders focussed on the topic of 'Glocal - what is global and what is local in today's world?'. Sharing their experiences with their younger Fellows were Serhan Ada, Head of the Cultural Management Program at Istanbul Bilgi University, Mikel Ellcessor, General Manager of public radio station WDET in Detroit, and Yudhishthir Raj Isar, Professor of Cultural Policy Studies at the American University of Paris and Eminent Research Visitor at the Institute for Culture and Society, University of Western Sydney. Speaking to seminar partner, National Arts Strategies' Dallas Shelby, Isar, Ellcessor and Ada gave their opinions on the key questions with our Young Cultural Leaders responding. How do arts and culture institutions deal with issues of cultural identity? Yudhishthir Raj Isar, professor of Cultural Policy Studies at The American University of Paris talks about the responsibility that arts and culture organizations have to provide cultural translation. How do cultural institutions balance being global and local? Mikel Ellcessor, General Manager of WDET in Detroit, warns that social media can give us a false sense of connection. He also gives a suggestion for how to make meaningful connections in one's community. How have the forces of globalization impacted the nature of cultural activity? Serhan Ada, Head of the Cultural Management Program at Istanbul Bilgi University, suggest that the "new normal" favors the creative. Fellows of the Salzburg Global Forum for Young Cultural Leaders talk about the day's discussion around the effects of globalization on culture.

You can see more videos on the National Arts Strategies channel: http://www.youtube.com/user/ArtsStrategies/, the YCI webpage: http://yci.salzburgglobal.org/ and you can follow all the discussions in real time on our Twitter hashtag #SGSycl and Twitter list: https://twitter.com/salzburgglobal/sgs-498
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How Do You Communicate the Value of Arts and Culture?
How Do You Communicate the Value of Arts and Culture?
Salzburg Global Seminar Staff 

Sunday, October 27 saw the opening plenary discussions of the Salzburg Global Forum for Young Cultural Leaders. Tackling the topic of 'The Creation and the Communication of Value' were Gary Vikan, Director of the Walters Museum of Art, Deirdre Prins-Solani, an independent heritage and cultural expert in South Africa, and Patrick McIntyre, Executive Director of the Sydney Theatre Company. Below, they share their opinions on the key questions, with our Young Cultural Leaders giving their response. What can science tell us about the art experience? Gary Vikan, Director of the Walters Museum of Art on how neuroscience, evolutionary biology and the cave paintings in Lascaux might point to the fact that aesthetics is "hard-wired into our heads." How do we communicate the instrumental and intrinsic values of the arts? Vikan talks about the dangers of using economic impact as argument for the arts, the importance of articulating the intrinsic nature of the art experience and how neuroscience might unlock the mystery of that experience. What value does the arts create and how do we articulate it? Deirdre Prins-Solani, an independent heritage and cultural expert in South Africa talks about the interaction between the sacred and public spaces and how that tension creates value. What are the arguments for the arts that resonate with contemporary society? Patrick McIntyre, Executive Director of the Sydney Theatre Company on the need to talk about the arts in terms of its benefits rather than its features. What our Fellows think: The Creation and Communication of Value: Discussion Points
You can see more videos on the National Arts Strategies channel: http://www.youtube.com/user/ArtsStrategies/, the YCI webpage: http://yci.salzburgglobal.org/ and you can follow all the discussions in real time on our Twitter hashtag #SGSycl and Twitter list:  https://twitter.com/salzburgglobal/sgs-498
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You are the future!
You are the future!
Salzburg Global Seminar Staff 
tanding at the front of Parker Hall and addressing 50 25-35 year olds, the president and CEO of National Arts Strategies, Russell Willis Taylor declared: “We are looking at our future. You are the future of our field!” These 50 people from 37 countries and six continents have been gathered as the inaugural in-take of the Salzburg Global Forum for Young Cultural Leaders, running from October 26 to November 1. The program has been designed in partnership between the Salzburg Global Seminar and US-based National Arts Strategies to identify and strengthen young leaders in the arts and culture sectors across the globe. Chosen from an vast field of applicants, the successful participants come a wide variety of backgrounds in the arts – from dance, music, and theater to visual media, museums, and festivals – and already have at least three years of professional experience in the cultural sector. To be selected they had to have a demonstrated interest in strengthening the position of the arts and arts institutions within societies and of having a positive impact on society, as well as showing creativity in their approach to work and openness to innovation. Through the program, co-chaired by Taylor and Mulenga Kapwepwe, chair of the National Arts Council of Zambia, these young practitioners will improve their leadership skills to enable them and their organizations to thrive in a field characterized by rapid change, uncertainty, and limited resources. Mixing theory and practice, the Young Cultural Leaders will hear lectures on the creation and communication of value, defining what is global and local in today’s interconnected world, and the role of arts organizations in society and communities, as well as participating in skills development workshops focussing on effective communication and team-building, change management and innovation—all draw on the knowledge and experience of and delivered by recognized international experts, from across the world. The intention of the annual forum is to strengthen the leadership capacity both of individuals and of the field as a whole, while at the same time enhancing international understanding and cultural exchange through a vital, new global network of young cultural leaders. Explaining why Salzburg Global Seminar had taken a leading role in developing such a program, Vice President and Chief Program Officer Clare Shine explained: “Salzburg Global Seminar was founded in 1947 but right from the start, the idea of youth being a driver and not seeing any reason to say “why not?” was part of the DNA…
 “Even in the early years, the performing arts, the different artistic disciplines were an integral part to the way they approached the values and the debate around how you build a better society so that it would not go back to war again in that century. “When you look back over the 65 years of our programming, we’ve had this continuous connective tissue of programs around the arts, around culture, but also around the social cohesion that goes with bringing people together outside their ordinary productive sectors. What we try to do now, and what is a priority as we go forward, is looking to see what we can learn from the nature of the arts in not only the way we do our culture and arts programming but also what they can tell us in the other areas of our work… “The value of learning through creative practice to collaborate, to listen, to value other voices, to value other perspectives that may seem very strange in the beginning—that set of skills is absolutely critical to global problem-solving and the mission of the Seminar is bound up with challenging creative thinking around the global problems of today and tomorrow.”
The program runs from Saturday, October 26 until Thursday, November 1. A full list of faculty is available here: www.salzburgglobal.org/go/498. To follow the discussions taking place at the seminar, please check out our Twitter hashtag #SGSycl and Twitter list: https://twitter.com/salzburgglobal/sgs-498  and for more information visit the YCI webpage: http://yci.salzburgglobal.org/
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Resistance and Readiness
Resistance and Readiness
Louise Hallman and Marty Gecek 

In 2002, in a world still reeling from the recent terrorist attacks of September 11 2001, Americanists from all over the world came to Schloss Leopoldskron, Austria to address “The Continuing Challenge of America's Ethnic Pluralism”.  Ten years on, the Salzburg Seminar American Studies Association will again tackle the issues of race and ethnicity in the US and Europe. That earlier symposium focused mainly on general issues of race and ethnicity, the impact of then-recent immigrants and refugees in the US, and concern about mounting xenophobia in the USA in the immediate wake of “9/11.” On both sides of the Atlantic, tensions between Muslim and non-Muslim groups have grown in the past ten years since the cataclysmic Twin Towers attacks in regard to issues of migration, integration, and what some have called “the limits of tolerance.” Two major wars; further terrorist attacks in Madrid, London and Texas – all purportedly perpetrated by local or home-grown Islamic extremists; increasing legislation against the wearing of religious symbols such as the burqa, niqab, and hijab (traditional Muslim women’s full face veils and headscarf) in Belgium and France; and the use of planning laws to halt the building of mosques in the USA and Switzerland, have all contributed to a sense of uneasiness and distrust for some on both sides of the religious and ethnic divides. But it is not only anti-Muslim sentiment that has grown.  Over the past decade, Europe has seen not only a growth in immigration numbers from asylum seekers – most notable in places such as the controversial Sangatte refugee camp near Calais, France – but also with the increased migration within the EU since Directive 2004/38/EC on the right to move and reside freely was introduced; statistics from the American organization, Migration Policy Institute indicate that in 2010 there were 850,000 eastern Europeans living in the UK alone.  Although these economic migrants are European, their arrival in their new European homes has been met with hostility in some areas, with the Roma community particularly affected; Roma have been expelled from towns and cities in France and Northern Ireland, driven out either by the local authorities or, in the worst incidents, angry mobs. In the US too, there have been increases in legislation to curb immigration and to root out illegal immigrants already living in the country.  Controversial new laws have been proposed and enacted, most notably the Support Our Law Enforcement and Safe Neighborhoods Act in Arizona. Supporters of the law claim the Arizona measure simply allows police to question legal residency only after a person has been stopped on reasonable suspicion of another crime.  Its detractors have called it “an unconstitutional and costly measure that will violate the civil rights of all Arizonans,” with accusations of racial profiling and deliberate targeting of the local Latino community. It is against this backdrop of rising racial tensions that the ninth symposium held by the Salzburg Seminar American Studies Association on September 27-October 1, 2012 will again discuss these hot topics of race and ethnicity, but this time from a much more comparative perspective, looking at both the European and American experiences of immigration, nativism and the challenge of ethnic and religious diversity. Europe is threatened by a number of risks, claims a 2011 report by the Group of Eminent Persons of the Council of Europe.  ‘Living Together: Combing Diversity and Freedom in 21st Century Europe’ states rising intolerance and support for xenophobic and populist parties, along with discrimination, the development of parallel societies, and Islamic extremism, coupled with the loss of democratic freedoms and civil liberties – long held precious across liberal Western societies now in fear of “being swamped by an uncontrolled influx of immigrants and/or massacred by Islamic terrorists” – and a possible clash between “religious freedom” and freedom of expression have resulted from a growing sense of insecurity brought in part because of immigration, magnified by the distorted image of minorities and harmful stereotypes propagated in the media, and a crisis of leadership. Over the course of the four-day session, Fellows from across Europe and the US will discuss this paper – the threats and their proposed responses – together with a faculty including Farid Hafez, researcher and lecturer at the University of Vienna’s Department of Oriental Studies; Rob Kroes, former president of the European Association of American Studies; Berndt Ostendorf, Professor Emeritus of North American Cultural History at the America Institute of Ludwig Maximilian University in Munich; Rubén G. Rumbaut, Professor of Sociology at University of California – Irvine; noted local Americanist and Professor of Modern History at the University of Salzburg Reinhold Wagnleitner; as well as the report’s author, Salzburg Global Seminar’s Senior Program Adviser, Edward Mortimer. Salzburg Global Seminar is an apt place to hold such a session, not only for its own long tradition of bringing scholars of both the US and Europe together, but also for its location – an Austrian palace built by a Protestant-expelling Catholic Prince-Archbishop and once owned by the exiled Jewish theater director Max Reinhardt before being seized by the local Nazi Gauleiter – a stark reminder of the levels of religious intolerance once present in Europe. A living testament to such intolerance, faculty member Hedwig Rose will recount Fellows with her personal history as a “hidden child” in the Nazi-occupied Netherlands during her talk on “The Scourge of Scapegoating.” Chaired by Peter Rose, Sophia Smith Professor Emeritus of Sociology and Anthropology and Senior Fellow of the Kahn Liberal Arts Institute, Smith College, and former director, American Studies Diploma Program, Smith College, participants will take part in plenary sessions, panels, and discussion groups looking at such topics as the push and pull factors for migration; the dichotomies between “natives” and “newcomers” and their significance in the US and various parts of Europe; identities and distinctions between “they” and “we” as expressed in politics and in the art and literature of marginality; patterns of adaptation, integration and isolation; and the varied meanings of “tolerance.” Not only will the symposium look back at the last decade, it will also conclude by looking forward – what does the future hold for ethnic and religious relations in the US and Europe? The Council of Europe report suggests that improvements will need the co-operation of a great many actors: educators, mass media, trade unions, civil society, churches and religious groups, celebrities and so-called “role models”, as well as municipal, national, regional and international institutions. But true to the 65-year history of the formerly-named Salzburg Seminar in American Studies, now Salzburg Global Seminar, and the words of first-session faculty member, the acclaimed anthropologist Margaret Mead, the symposium will start its work with a small group of committed people, and that should never be underestimated.
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John Brown blogs about the current session on Cultural Diplomacy
John Brown blogs about the current session on Cultural Diplomacy
John Brown 
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VOICES FROM YOUNG CULTURAL LEADERS

How should cultural institutions approach the creation and articulation of value?
Albino Jopela, archaelogist and lecturer at Eduardo Mondlane University in Mozambique suggests that considering the values of all of the stakeholders in a community will help ensure relevance and sustainability.


Why is it important for arts leaders to engage in cross-cultural conversations?
Jimena Lara Estrada, program coordinator for the Mexican Cultural Institute of New York, talks about connecting with other leaders and the hope that it instills.

How do you articulate value of arts in a society where it is largely seen as a commodity?
Eyad Houssami, founding director of Masrah Ensemble in Lebanon, talks about the challenges of making a case for the arts in a society where the concept of public value is very limited.

What role should orchestras play in their communities?
Mark Gillespie, general and artistic manager of Orchestra of the Americas and Salzburg Global Forum for Young Cultural Leaders Fellow, suggests that orchestras should connect with youth at a very early age so that musicians grow out of the community.